Love and War
Love and WarĀ chronicles Guillaume Simoneauās on-off relationship with Caroline Annandale. They first met at the Maine Photographic Workshop in 2000. Both in their early twenties, they began a feverish relationship and travelled the world together just prior to September 11, 2001. After the terrorist attacks on the United States, Annandale enlisted in the US army and was sent to Iraq. The two grew apart, Annandale eventually marrying someone else, but they reunited several years later upon her return from war to begin a tumultuous second chapter in their relationship.
Using a variety of images, including pictures he took when they first met, photographs Caroline emailed home from Iraq, text messages, and handwritten notes, Simoneau charts the coupleās love affair and its attendant ups and downs, but not in chronological order. Sequenced to mimic the disjointed nature of memory and identity, the project reveals how our perceptions of ourselves and our loved ones are always a blend of past and present. As the photographs progress, they expose Carolineās loss of innocence and her transformation into a toughened war veteran. Ultimately, Simoneau reveals the lasting impact- ā the invisible, indelible, and often irreversible effects that both love and war have on peopleās lives.
Canadian born, Guillaume Simoneau has exhibited across Canada and internationally. His work can be found in a number of permanent collections including the V&A Museum, London; the SFMoMA, San Francisco and the Museum of Contemporary Photography, Chicago. His work will be exhibited at the Museum of Contemporary Photography, Chicago from July 19th until October 6th, 2013 and at Centre VU, Quebec, Canada from September 6th to October 6th.
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Love and War
Love and War
Love and WarĀ chronicles Guillaume Simoneauās on-off relationship with Caroline Annandale. They first met at the Maine Photographic Workshop in 2000. Both in their early twenties, they began a feverish relationship and travelled the world together just prior to September 11, 2001. After the terrorist attacks on the United States, Annandale enlisted in the US army and was sent to Iraq. The two grew apart, Annandale eventually marrying someone else, but they reunited several years later upon her return from war to begin a tumultuous second chapter in their relationship.
Using a variety of images, including pictures he took when they first met, photographs Caroline emailed home from Iraq, text messages, and handwritten notes, Simoneau charts the coupleās love affair and its attendant ups and downs, but not in chronological order. Sequenced to mimic the disjointed nature of memory and identity, the project reveals how our perceptions of ourselves and our loved ones are always a blend of past and present. As the photographs progress, they expose Carolineās loss of innocence and her transformation into a toughened war veteran. Ultimately, Simoneau reveals the lasting impact- ā the invisible, indelible, and often irreversible effects that both love and war have on peopleās lives.
Canadian born, Guillaume Simoneau has exhibited across Canada and internationally. His work can be found in a number of permanent collections including the V&A Museum, London; the SFMoMA, San Francisco and the Museum of Contemporary Photography, Chicago. His work will be exhibited at the Museum of Contemporary Photography, Chicago from July 19th until October 6th, 2013 and at Centre VU, Quebec, Canada from September 6th to October 6th.
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Description
Love and WarĀ chronicles Guillaume Simoneauās on-off relationship with Caroline Annandale. They first met at the Maine Photographic Workshop in 2000. Both in their early twenties, they began a feverish relationship and travelled the world together just prior to September 11, 2001. After the terrorist attacks on the United States, Annandale enlisted in the US army and was sent to Iraq. The two grew apart, Annandale eventually marrying someone else, but they reunited several years later upon her return from war to begin a tumultuous second chapter in their relationship.
Using a variety of images, including pictures he took when they first met, photographs Caroline emailed home from Iraq, text messages, and handwritten notes, Simoneau charts the coupleās love affair and its attendant ups and downs, but not in chronological order. Sequenced to mimic the disjointed nature of memory and identity, the project reveals how our perceptions of ourselves and our loved ones are always a blend of past and present. As the photographs progress, they expose Carolineās loss of innocence and her transformation into a toughened war veteran. Ultimately, Simoneau reveals the lasting impact- ā the invisible, indelible, and often irreversible effects that both love and war have on peopleās lives.
Canadian born, Guillaume Simoneau has exhibited across Canada and internationally. His work can be found in a number of permanent collections including the V&A Museum, London; the SFMoMA, San Francisco and the Museum of Contemporary Photography, Chicago. His work will be exhibited at the Museum of Contemporary Photography, Chicago from July 19th until October 6th, 2013 and at Centre VU, Quebec, Canada from September 6th to October 6th.






















