Branded Youth And Other Stories
This book opens with a portfolio of Hollywoodās brightest lights, actors of todaysā A-list like Leonardo diCaprio, Christina Ricci, Natalie Portman and Mark Wahlberg, all caught at the moment just before their biggest breaks. Thereās a fearlessness in these images, an uninhibited spirit, a glimpse from the brink of fame. Their innocence stands in stark contrast to the āCourt TVā chapter that follows, Polaroid stills from the time when when cable crime reportage became a national fixation, the lurid underbelly of fame represented by the Menendez brothers, Amy Fisher, and Lorena Bobbitt.
āBranded Youthā is very much concerned with a search for lost innocence, that ābig fantasy lifeā only dangerous because of its elusiveness. The book traces Bruceās travels and adventures over the course of several years, from Vietnam to South Africa, Mississippi to Montana. Everywhere he witnesses and documents families celebrating together, children, elderly folks, life-long friends, enchanted landscapes. The prevailing feeling is of possibility and love and faith, the desire people share to build communities and live in harmony with one another, regardless of the injustice or violence of the past. In these photographs, Bruce captures an openness to life as it presents itself to his lensāthe pictures resonate, above all, with hope.
The book ends as it began, with a study in contrasts. Youthful friendship and loyalty are celebrated in photographs of athletes (at Dan Gableās Wrestling Camp in Iowa) and Boy Scouts (specifically, Troop 1426 of Virginia). Adolescence and sexuality get their due in a series of figure studies which end the book. But even with its prevailing exuberance, Bruce Weber closes āBranded Youthā with a thoughtful essay expressing the ephemeral nature of such joy. He writes of the Stonewall and the loss of many friends to AIDS, the passing of a long-time editor Kezia Keeble and the actress Thelma Ritter. The poignancy of this book lies in these juxtapositions, which point to the richness of life and while acknowledging its brevity.
Condition: good condition, some wear to the cover.
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Branded Youth And Other Stories
Branded Youth And Other Stories
This book opens with a portfolio of Hollywoodās brightest lights, actors of todaysā A-list like Leonardo diCaprio, Christina Ricci, Natalie Portman and Mark Wahlberg, all caught at the moment just before their biggest breaks. Thereās a fearlessness in these images, an uninhibited spirit, a glimpse from the brink of fame. Their innocence stands in stark contrast to the āCourt TVā chapter that follows, Polaroid stills from the time when when cable crime reportage became a national fixation, the lurid underbelly of fame represented by the Menendez brothers, Amy Fisher, and Lorena Bobbitt.
āBranded Youthā is very much concerned with a search for lost innocence, that ābig fantasy lifeā only dangerous because of its elusiveness. The book traces Bruceās travels and adventures over the course of several years, from Vietnam to South Africa, Mississippi to Montana. Everywhere he witnesses and documents families celebrating together, children, elderly folks, life-long friends, enchanted landscapes. The prevailing feeling is of possibility and love and faith, the desire people share to build communities and live in harmony with one another, regardless of the injustice or violence of the past. In these photographs, Bruce captures an openness to life as it presents itself to his lensāthe pictures resonate, above all, with hope.
The book ends as it began, with a study in contrasts. Youthful friendship and loyalty are celebrated in photographs of athletes (at Dan Gableās Wrestling Camp in Iowa) and Boy Scouts (specifically, Troop 1426 of Virginia). Adolescence and sexuality get their due in a series of figure studies which end the book. But even with its prevailing exuberance, Bruce Weber closes āBranded Youthā with a thoughtful essay expressing the ephemeral nature of such joy. He writes of the Stonewall and the loss of many friends to AIDS, the passing of a long-time editor Kezia Keeble and the actress Thelma Ritter. The poignancy of this book lies in these juxtapositions, which point to the richness of life and while acknowledging its brevity.
Condition: good condition, some wear to the cover.
Original: $75.00
-65%$75.00
$26.25Product Information
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Shipping & Returns
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Description
This book opens with a portfolio of Hollywoodās brightest lights, actors of todaysā A-list like Leonardo diCaprio, Christina Ricci, Natalie Portman and Mark Wahlberg, all caught at the moment just before their biggest breaks. Thereās a fearlessness in these images, an uninhibited spirit, a glimpse from the brink of fame. Their innocence stands in stark contrast to the āCourt TVā chapter that follows, Polaroid stills from the time when when cable crime reportage became a national fixation, the lurid underbelly of fame represented by the Menendez brothers, Amy Fisher, and Lorena Bobbitt.
āBranded Youthā is very much concerned with a search for lost innocence, that ābig fantasy lifeā only dangerous because of its elusiveness. The book traces Bruceās travels and adventures over the course of several years, from Vietnam to South Africa, Mississippi to Montana. Everywhere he witnesses and documents families celebrating together, children, elderly folks, life-long friends, enchanted landscapes. The prevailing feeling is of possibility and love and faith, the desire people share to build communities and live in harmony with one another, regardless of the injustice or violence of the past. In these photographs, Bruce captures an openness to life as it presents itself to his lensāthe pictures resonate, above all, with hope.
The book ends as it began, with a study in contrasts. Youthful friendship and loyalty are celebrated in photographs of athletes (at Dan Gableās Wrestling Camp in Iowa) and Boy Scouts (specifically, Troop 1426 of Virginia). Adolescence and sexuality get their due in a series of figure studies which end the book. But even with its prevailing exuberance, Bruce Weber closes āBranded Youthā with a thoughtful essay expressing the ephemeral nature of such joy. He writes of the Stonewall and the loss of many friends to AIDS, the passing of a long-time editor Kezia Keeble and the actress Thelma Ritter. The poignancy of this book lies in these juxtapositions, which point to the richness of life and while acknowledging its brevity.
Condition: good condition, some wear to the cover.






















